| Hot Fives & Sevens |  | Artist: Louis Armstrong
Label: JSP RECORDS
Category: Music
List Price: CDN$ 28.99
Buy New: CDN$ 23.45 (On sale from CDN$ 23.49)
as of 5/19/2012 13:41 CDT details
You Save: CDN$ 0.04
New (12) from CDN$ 23.45
Seller: importcds__
Sales Rank: 9,506
Format: Box set, Best of
Media: Audio CD
Discs: 4
Shipping Weight (lbs): 0.8
Dimensions (in): 5.7 x 5 x 1.7
UPC: 788065010027
EAN: 0788065010027
ASIN: B00001ZWLP
Release Date: February 27, 2002
Availability: Usually ships within 1 - 2 business days
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| Tracks:
Disc 1
| • | My Heart | | • | Yes! I'm in the Barrel | | • | Gut Bucket Blues | | • | Come Back Sweet Papa | | • | Georgia Grind | | • | Heebie Jeebies | | • | Cornet Chop Suey | | • | Oriental Strut | | • | You're Next | | • | Muskrat Ramble | | • | Don't Forget to Mess Around | | • | I'm Gonna Gitcha | | • | Droppin' Shucks | | • | Who' Sit | | • | He Likes It Slow | | • | King of the Zulus | | • | Big Fat Ma and Skinny Pa | | • | Lonesome Blues | | • | Sweet Little Papa | | • | Jazz Lips | | • | Skid-Dat-De-Dat | | • | Big Butter and Egg Man | | • | Sunset Cafe Stomp | | • | You Made Me Love You | | • | Irish Black Bottom |
Disc 2
| • | Willie the Weeper | | • | Wild Man Blues | | • | Chicago Breakdown | | • | Alligator Crawl | | • | Potato Head Blues | | • | Melancholy Blues | | • | Weary Blues | | • | Twelfth Street Rag | | • | Keyhole Blues | | • | S.O.L. Blues | | • | Gully Low Blues | | • | That's When I'll Come Back to You | | • | Put 'Em Down Blues | | • | Ory's Creole Trombone | | • | Last Time | | • | Struttin' With Some Barbecue | | • | Got No Blues | | • | Once in a While | | • | I'm Not Rough | | • | Hotter Than That | | • | Savoy Blues |
Disc 3
| • | Fireworks | | • | Skip the Gutter | | • | Monday Date | | • | Don't Jive Me | | • | West End Blues | | • | Sugar Foot Strut | | • | Two Deuces | | • | Squeeze Me | | • | Knee Drops | | • | Symphonic Raps | | • | Savoyagers' Stomp | | • | No, Papa, No | | • | Basin Street Blues | | • | No One Else But You | | • | Beau Koo Jack | | • | Save It, Pretty Mama | | • | Weather Bird | | • | Muggles | | • | Hear Me Talkin' to Ya? | | • | St. James Infirmary | | • | Tight Like This | | • | Knockin' a Jug |
Disc 4
| • | I Can't Give You Anything But Love | | • | Mahogany Hall Stomp | | • | Ain't Misbehavin' | | • | Black and Blue | | • | That Rhythm Man | | • | Sweet Savannah Sue | | • | Some of These Days | | • | Some of These Days | | • | When You're Smiling (The Whole World Smiles With You) | | • | When You're Smiling (The Whole World Smiles With You) | | • | After You've Gone | | • | Ain't Got Nobody | | • | Dallas Blues | | • | St. Louis Blues | | • | Rockin' Chair | | • | Song of the Islands | | • | Bessie Couldn't Help It | | • | Blue Turning Grey over You | | • | Dear Old Southland | | • | Rockin' Chair | | • | I Can't Give You Anything But Love |
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| Editorial Reviews:
From Amazon.co.uk
Fact: Some 70-plus years ago, Louis Armstrong was bigger than the Beatles. Fact: Louis' record sales provided the seed money for some of today's great communications empires. Fact: Pops' startling trumpet prowess and ingratiating vocals transformed the phrasing of every instrumentalist and vocalist on earth--and these are the sessions that started it all. Having performed as the second cornet with spiritual father Joe "King" Oliver's legendary New Orleans band, he turned everybody's head in New York during his stint with Fletcher Henderson's Orchestra in 1924. Then, at wife Lil Hardin's insistence, he returned to Chicago in 1925, which led to the first of his super sessions for the Okeh label--fronting an all-star band assembled just for the studio. Even amid the traditional New Orleans polyphony and ensemble work of "Gut Bucket Blues", the sheer power of Armstrong's cornet pulls along the rest of the band like a locomotive (and in setting the infectious closing riff, he not only anticipates the swing era but Dizzy Gillespie's "Salt Peanuts"). By the time we get to the 1926 sessions, featuring his innovative "scat singing" on "Heebie Jeebies" and his dynamic stop-time phrases on "Cornet Chop Suey", Louis Armstrong is well on his way to transforming jazz into a soloist's art, and himself into the most influential musician of the 20th century. --Chip Stern
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